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Sculpture from the Kushan Period
Sculpture from North India, 5th-7th Centuries
Jain sculpture
Sculpture of the Pala Period
Stone Sculpture from Hindu Temples
Sculptures from South India, 8th-9th Centuries
Bronze Sculpture of the Chola Period
Art for the Mughal and Rajput Courts
Hindu Temple Hangings
Buddhist Painting from India, Nepal, and Tibet
Buddhist Painting from India, Nepal, and Tibet
Sculpture from Nepal
Sculpture from the Kushan Period
Two Bodhisattvas from Sri Lanka
India, Karnataka or Tamil Nadu; 8th century
Copper alloy
H. 10 1/2 in. (26.7 cm)
Mr. and Mrs. John D. Rockefeller 3rd Collection of Asian Art
The twenty-four principal adepts and teachers of the Jain religion are known as tirthankaras ("ford-makers") or jinas ("victors"). This jina's idealized body, with its broad shoulders and elongated arms, is similar to that of Buddhist and Hindu deities and denotes advanced spiritual development. The nakedness of this image indicates that it belongs to the Digambara or "sky-clad" sect of Jainism, the more austere of the two primary branches of the religion. The small leaf-like mark (shrivasta) on the upper right of the chest, an auspicious mark which signifies a jina's superhuman qualities, may have been intended to distinguish this jina from the other twenty-three, although the figure cannot be identified without further information. The off-center position of the shrivasta is typical of south Indian jina images.
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